Reviews: Sydney Chamber Choir's 'Time and Place'
Read all the reviews for Sydney Chamber Choir's Time and Place performance at the The Great Hall, The University of Sydney on Sunday 10th November 2019, 3PM.
Steering a Choral Rolls-Royce
As Sydney Chamber Choir prepares for its November concert Time & Place, its new music director Sam Allchurch reflects on his first full year in the job.
Time and Place: Exploring Identity and Human Connection
Sydney Chamber Choir's Natalie Shea talks about Clare Maclean's "A West Irish Ballad", featured in our upcoming concert Time and Place
Remembering Martin Wesley-Smith (1945 - 2019)
Sydney Chamber Choir remembers this unique compositional voice in Australian music.
Reviews: Sydney Chamber Choir's 'A Royal Affair'
Read all the reviews for Sydney Chamber Choir's Music On Music performance at the The Great Hall, The University of Sydney on Saturday 30th March 2019, 7.30PM.
Sydney Chamber Choir's Music Director Sam Allchurch reflects on creating A Royal Affair
Like many lovers of choral music, I have a real soft spot for Handel. His works for choir express the full range of human emotion from uplifting joy to poignant tragedy.
Master of The Queen's (and The King's) Music
The post of Master of the Queen’s (or Master of the King’s) Music was created in 1626. The Master’s main duty is to direct the court orchestra and compose music for British royal occasions such as coronations, marriage, births and funerals.
Reviews: Sydney Chamber Choir's Music On Music
Read all the reviews for Sydney Chamber Choir's Music On Music performance at the The Great Hall, The University of Sydney on Saturday 30th March 2019, 7.30PM.
Picking Up Richard Gill's Baton
Taking on the mantle of musical director of Sydney Chamber is a very exciting prospect for a choral conductor – something akin to be handed the keys to a Rolls-Royce!
Composer Profile: Elliott Gyger
Sydney Chamber Choir’s first programme for 2019, Music on Music (7.30pm, Saturday 30th March) will feature Elliott Gyger’s Ut Queant Laxis. Based on a Medieval chant and texts from the Gospel of Luke, Ut Queant Laxis continues a long tradition of composers writing about music itself.